Separation preview?
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Just wondering if theres any kind of separation preview like feature that I'm missing - if not, is something that we'll get in the future?
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@Dazmondo There is a color separation preview in the Print -> Preview if color separation is enabled (in the Color tab).
Should there be a CMYK separation preview option in the main document view (like Channels in PS)?
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@VectorStyler A Separations view mode like in AI, where you can hide/unhide this or that process or spot color would be great and a selling point.
It's a must for artwork that goes to print (CMYK color mode), where you need to check overprints and pure vs. rich blacks.
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@b77 Added this to the backlog, but after 1.2
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@b77 said in Separation preview?:
@VectorStyler A Separations view mode like in AI, where you can hide/unhide this or that process or spot color would be great and a selling point.
It's a must for artwork that goes to print (CMYK color mode), where you need to check overprints and pure vs. rich blacks.Yes I was hoping for for similar to Ai and InDesign
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@Dazmondo said in Separation preview?:
@b77 said in Separation preview?:
@VectorStyler A Separations view mode like in AI, where you can hide/unhide this or that process or spot color would be great and a selling point.
It's a must for artwork that goes to print (CMYK color mode), where you need to check overprints and pure vs. rich blacks.Yes I was hoping for for similar to Ai and InDesign
This is something that would benefit me greatly in my work! While there is the option in the print dialogue box, having the ability to prep everything in the document would be invaluable - especially if the file is not being printed locally.
I understand it will be a post-1.2 update, which is totally fine with me. That does not stop us from getting together some ideas for it. @Dazmondo and @B77 collectively mentioned making it similar to what adobe has in illustrator and indesign and I agree.
From what I see, @b77 comes from more of a printed page background and @Dazmondo and I share a screen printing background. I'm sure there's overlap as well into other mediums.
We can discuss in detail the kinds of things we are specifically looking to be in that separations panel and be sure we cover more than just printing for paper. I'll be looking deeper into what adobe has going on with their separation controls and share some new ideas I'm thinking of related to the one we eventually have in VS
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One of the ideas I had for this topic - where it ends up, I'm not sure - but would love the ability to auto place each spot color into it's own layer in the same file or in a new file with options like registration marks that can also be included on each layer.
@Dazmondo made a cool video he posted in the Affinity siteHere is the link to his part in the thread if you don't want to download the mov file
that shows he could paste a photo into VS and apply repeater aspects to it - namely a halftone pattern. That amazed me and made me think of all the possibilities which could be another thread entirely . I would love the ablity to select a spot color design made in VS in vectors and apply a similar treatment to it from repeater to get a round-about RIP solution. Gradients and lowered opacity fills and such would convert to halftones based on Repeater settings. I believe a while back, @VectorStyler was talking about how if the repeater result was not expanded, the file size could remain reduced - correct me if I'm wrong. If correct, this would be an easy way to get those halftones and export a VS file that a client also using VS could open and print layer by layer. It would be great if there were the ability to set the lpi and dot size, etc... if not already in repeater
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@Boldline said in Separation preview?:
One of the ideas I had for this topic - where it ends up, I'm not sure - but would love the ability to auto place each spot color into it's own layer in the same file or in a new file with options like registration marks that can also be included on each layer.
Is this needed because you want to send the RIP-ed artwork (converted to raster dots) to the print shop instead of giving them the editable artwork?
@Dazmondo made a cool video he posted in the Affinity site
Here is the link to his part in the thread if you don't want to download the mov file
that shows he could paste a photo into VS and apply repeater aspects to it - namely a halftone pattern. That amazed me and made me think of all the possibilities which could be another thread entirely .It's great that AD users find out that we basically have a Vectoraster inside VS.
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@b77 said in Separation preview?:
Is this needed because you want to send the RIP-ed artwork (converted to raster dots) to the print shop instead of giving them the editable artwork?
Yes that is one of the bigger reasons. Not every shop I work with has a RIP software to rely on and most RIP softwares are a pain to deal with in one form or another. My goal would be to have a design I can send to a client and they can straight out print from their printer onto films and not have to worry about converting halftones.
I also want to be able to offer a design for sale and have the separations option available so anyone can print the films with ease. I also want to be able to have control of dot size and the like on my end if I prefer to.Just watching what @Dazmondo did by importing the photo was amazing to me because I've only been thinking about the repeater as a creation origin point, not with the ability to affect other imported graphics, especially not raster! It makes more sense that this is possible in hindsight, but it opened my eyes to possibilities. The ability to do spot color separation, reduce colors as necessary and divide amongst layers by spot color with a common thing like reg marks included would all be amazing steps in empowering screen printers who want to use VS. Add on the ability to convert to controlled halftones? I think that's dynamite!
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@b77 said in Separation preview?:
It's great that AD users find out that we basically have a Vectoraster inside VS.
Yes! I agree. I love what Vectoraster offers and am currently trying to do more with the sister program "patternodes". I hope to eventually see some of that capability added to VS. The easier we can produce repeating patterns and brushes, the better.
The disgruntled Affinity users are starting to seek out other options and VS gets brought up more often now than before. Of course, I do my part to mention it there as often as I can! lol I would have never found VS myself had I not seen it mentioned several times on that forum.
I have a LOT to learn still in repeater but the potential blows me away.
@b77 Just curious, are you against the idea of offering a RIP inspired option in VS by way of using the repeater? I get that sense from your comments about creating halftones for print over time, but I could be wrong. I'm open to your ideas. To me, I see the ability right in front of me with what repeater already offers - could be a powerful option for those who use it
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I also want to be able to offer a design for sale and have the separations option available so anyone can print the films with ease.
I think you know that this can be done already from the Print window with 'Print to File' as PDF, if you check 'Separations'.
Then the other person can print each file/separation and only choose the dpi at which to print (36 dpi = big dots, 300 dpi = small dots).
I also want to be able to have control of dot size and the like on my end if I prefer to.
Add on the ability to convert to controlled halftones? I think that's dynamite!That's a pretty special request — it's basically having a RIP inside the app, which to me sounds like it's beyond the scope of a vector graphics app.
But I'm not connected to textile printing in any way. Are you saying there's good money to be made with this approach from people who couldn't buy their RIP software?
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Just to make sure we're on the same page:
Separations printing (which "sorts" and exports each process and spot color on a separate plate) is implemented (Print window > Color tab).
So the app already "auto-places" (separates) each process and spot color.
Separations preview inside the document is what is needed so you can easily check that overprints are set correctly and there are no related mistakes.
Being able to preview separations doesn't depend on this or that object being placed or grouped on separate layers — it's more like a CMYK-based photo camera taking a snapshot of all the visible layers and letting you view them separately (say, Cyan, Magenta, Yellow without blacK to make sure there's no black text that is not set to overprint, or no white text that is set to overprint).
So with Separations preview you don't care about layers — even if you have two objects with the same Pantone fill but they are on separate layers, you don't need them to be on the same layer for separations preview AND printing separations to work.
@Boldline Unless what you mean is that you'd like to be able to move all objects that share the same spot color on their layer so you can run a halftone rasterization routine on them (a conversion to actual raster dots like Vectoraster) before export?
I'm asking because I'm not sure I understand.
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@b77 said in Separation preview?:
Just to make sure we're on the same page:
Sounds good - I appreciate all the ideas and discussion
Separations printing (which "sorts" and exports each process and spot color on a separate plate) is implemented (Print window > Color tab).
So the app already "auto-places" (separates) each process and spot color.
I need to try this out more - I'm not usually the one printing things off so it's not an area I'm super well versed in. I remember the last time a while back I was experimenting, it seemed like VS wanted to print cmyk no matter what, so each color was acting like it was being mixed with the others to create a new color - and that was not what I wanted... just pure black output for films based on spot color - no mixing in my case.
Separations preview inside the document is what is needed so you can easily check that overprints are set correctly and there are no related mistakes.
For screen printing it's also a great place to be sure only the desired spot colors are in the design - so you can see if there are other similar colors that need to be converted to specific spot colors for printing. So for me, I'd want the separations panel to scan the document and list all colors found in any capacity in the design space - then the user could click on the color box and get all of that color to be selected and change it to another
Being able to preview separations doesn't depend on this or that object being placed or grouped on separate layers — it's more like a CMYK-based photo camera taking a snapshot of all the visible layers and letting you view them separately (say, Cyan, Magenta, Yellow without blacK to make sure there's no black text that is not set to overprint, or no white text that is set to overprint).
So with Separations preview you don't care about layers — even if you have two objects with the same Pantone fill but they are on separate layers, you don't need them to be on the same layer for separations preview AND printing separations to work.
I understand what you are saying - I'd think you could tell it to only scan active layers for example, not necessarily all layers.
The end client would need to be able to print out each color as a solid opaque black on their films for printing. So ultimately, there will be times each color needs its own final layer and be converted to a pure black spot color. This is so when it prints on film, the yellow is not a lighter shade of gray-black than another color.
I know the printer set up file can be exported - so that is good. It may be the kind of thing I would re-open and edit further - making the objects on each layer a pure black, etc.@Boldline Unless what you mean is that you'd like to be able to move all objects that share the same spot color on their layer so you can run a halftone rasterization routine on them (a conversion to actual raster dots like Vectoraster) before export?
I'm asking because I'm not sure I understand.
Yes that would be ideal - that there be an option for sending each color to it's own layer and then the repeater could be applied to the relevant layers that have a lowered opacity (which would translate into halftones)
I'm not trying to make @VectorStyler build a second program inside VS (RIP). To me it seems like the technology for a simple RIP-like function is already there now anyway. What @Dazmondo did with the imported image using repeater could be done to any vector gradient or lowered opacity object. I have not looked closer, but if it's not already in there, the option to set some halftone dot size limits and frequency would be a great addition.
What I'm asking for may not be for everyone. I can say that it would clear a lot of hurdles for those in the screen print industry. Often when I suggest VS to screen printers, they first ask if it can merge vectors properly and then ask if it can print with RIP functions. This in part because they've tried Affinity already and boolean operations are a mess there currently and there's nothing like repeater in affinity.
Another powerful way this repeater function could be tied in to screen print separations is that the dots could be switched to lines or squares or another shape. it's been a while since I last used a true RIP, but I don't remember that kind of flexibility in there
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Separations printing (which "sorts" and exports each process and spot color on a separate plate) is implemented (Print window > Color tab).
So the app already "auto-places" (separates) each process and spot color.
I need to try this out more - I'm not usually the one printing things off so it's not an area I'm super well versed in. I remember the last time a while back I was experimenting, it seemed like VS wanted to print cmyk no matter what, so each color was acting like it was being mixed with the others to create a new color - and that was not what I wanted... just pure black output for films based on spot color - no mixing in my case.
Here exporting separation PDFs where spot colors are used (with 'Print to File') results in 100% ink coverage for all Pantone colors. By '100% ink coverage' I mean the film they are printed on should be fully opaque in that area — no halftoning.
I agree that the app should disable the process inks automatically in the Print window/Color tab if these inks (C, M, Y and K) are not present in the artwork, AND should automatically check the spot colors for printing/separation.
But if you do enable the spot colors, they will be printed correctly, and at 100% ink coverage (no halftoning, unless you have a gradient somewhere, obviously).
Separations preview inside the document is what is needed so you can easily check that overprints are set correctly and there are no related mistakes.
For screen printing it's also a great place to be sure only the desired spot colors are in the design - so you can see if there are other similar colors that need to be converted to specific spot colors for printing. So for me, I'd want the separations panel to scan the document and list all colors found in any capacity in the design space - then the user could click on the color box and get all of that color to be selected and change it to another.
Not sure how easy is that to code and I would say it's not a must, but yeah, replacing colors like that would be some prepress-level magic.
But selecting objects by color is possible today, so it's an easily fixable problem.
I understand what you are saying - I'd think you could tell it to only scan active layers for example, not necessarily all layers.
I would just keep it simple (no buttons for that) — if a layer is hidden it should not be included in the Separations preview and neither in the Print preview and output.
The end client would need to be able to print out each color as a solid opaque black on their films for printing. So ultimately, there will be times each color needs its own final layer and be converted to a pure black spot color. This is so when it prints on film, the yellow is not a lighter shade of gray-black than another color.
The app does that already — the film or plate for yellow (the lightest color) will have opaque black where the yellow is at 100% in the artwork. Test the PDFs the app will generate with 'Print to File'.
But if you want rich black (darkest black)… that's something else, involving the overprinting of multiple inks.
@Boldline Unless what you mean is that you'd like to be able to move all objects that share the same spot color on their layer so you can run a halftone rasterization routine on them (a conversion to actual raster dots like Vectoraster) before export?
I'm asking because I'm not sure I understand.
Yes that would be ideal - that there be an option for sending each color to it's own layer and then the repeater could be applied to the relevant layers that have a lowered opacity (which would translate into halftones)
I'm not trying to make @VectorStyler build a second program inside VS (RIP). To me it seems like the technology for a simple RIP-like function is already there now anyway.
What I'm asking for may not be for everyone. I can say that it would clear a lot of hurdles for those in the screen print industry. Often when I suggest VS to screen printers, they first ask if it can merge vectors properly and then ask if it can print with RIP functions. This in part because they've tried Affinity already and boolean operations are a mess there currently and there's nothing like repeater in affinity.
OK, but since you can generate the PDFs with the separations (Print to file), it means you can open each PDF, merge the shapes then run the Repeater on them, or on the bitmaps.
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@b77 It's good to hear most of the things I am concerned about are already dealt with and exist.
what I meant by replacing colors was that there was an easy way to select a color you want to change using the future separations panel. It's easy when the colors have a spot color already, but harder if there are unnamed RGB or unnamed cmyk colors listed. If there's an unidentified color listed in the separations panel, how would I be able to find it in the design (if the design is complex).
Prefacing this by saying I have not been able to do enough in repeater myself to know, but having the ability to restrict the size and spacing of the halftones based on what is needed for a best result print would be ideal.
"But if you want rich black (darkest black)… that's something else, involving the overprinting of multiple inks."
ok I might have to look into this part more - what I would probably need to do is select all by spot color and switch the fill or stroke color to a spot color black set at 0,0,0,100k. I created a spot color black that I use for this purpose already - would this not suffice to be a rich opaque black? or are you sayig there's a darker black I could use - or the only way to go darker than that is to overprint?
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@b77 said in Separation preview?:
OK, but since you can generate the PDFs with the separations (Print to file), it means you can open each PDF, merge the shapes then run the Repeater on them, or on the bitmaps.
For me, I can't get the print to file (pdf or ps) to work consistently, out of around 20 tries I managed to get separations to work twice and, one output as PDF (which failed to work again) and one as .ps (which failed to work again) and that's going through all combinations of PDF and postscript, it seems to go through the motions but doesn't create a file. and now switching off separations no longer includes spot colours on a composite pdf and only includes one trim mark bottom left - that's my patience shot for the day --- may re-visit in a week or so?
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@Dazmondo It might be that you didn't enable the Pantones to separate by clicking their buttons in the Print window > Color tab?
Anyway, send the file to the developer if indeed it fails to generate the separation PDFs.
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@Dazmondo said in Separation preview?:
For me, I can't get the print to file (pdf or ps) to work consistently
Send me an example where print to file did not work. I will try to replicate the problem.
Please note that the printing options are stored in the file, so if you save the file after (attempting to) print, I will have the same print settings, which helps in replicating this issue.
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@VectorStyler said in Separation preview?:
Send me an example where print to file did not work. I will try to replicate the problem.
Please note that the printing options are stored in the file, so if you save the file after (attempting to) print, I will have the same print settings, which helps in replicating this issue.Thank's
Update: by going back to selecting the first PDF option in the Printer section of the print dialog I've manage to get a composite with spots to work again - and managed to get one sep (pantone Green C) to pdf but can't trick any others
Link to doc: https://drive.google.com/file/d/1uAWislybOREy0BLBnABgeUA2vcvQZP6O/view?usp=sharing
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@Dazmondo Looks like it gets confused by the file name given after the Print view is confirmed. This can be replicated here
Try to avoid periods in the file name, then it should work.
